TED Talk: ‘Every Kid Needs a Champion’

I first saw this video when training to work with Parks and Recreation, and it’s stuck with me ever since. Development work, at it’s best, is a lot of teaching, so it’s been cropping up in my consciousness a lot more than I expected, and to be honest I’ve used a lot of her examples in almost ever single meeting/program I’ve had so far. I think it’s also pretty busy to become bitter and jaded* during your service for a lot of reasons, so the segment from A to B has looped around in my head quite a lo, and I once accidentally plagiarized part of it during a group chat discussion, only to realize after the fact!

Anyways, if you can’t tell I absolutely love this video and will just let it speak for itself.

https://embed.ted.com/talks/rita_pierson_every_kid_needs_a_champion

*I want to make a cocktail called a “Bitter and Jaded” and so far the only two ingredients I can think of are bitters and absinthe. If anyone has any suggestions for possibly a better green liquor or anything that would pair well with bitters, hit me up!

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“At first, man was enslaved by the gods. But he broke their chains. Then he was enslaved by the kings. But he broke their chains. He was enslaved by his birth, by his kin, by his race. But he broke their chains. He declared to all his brothers that a man has rights which neither god nor king nor other men can take away from him, no matter what their number, for his is the right of man, and there is no right on earth above this right. And he stood on the threshold of the freedom for which the blood of the centuries behind him had been spilled.”

Ayn Rand, Anthem 

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“You see men like Walter all over Chelsea and the Village, men who insist, at thirty or forty or older, that they have always been chipper and confident, powerful of body; that they’ve never been strange children, never taunted or despised […] if Richard were still himself, untouched by illness, they could be together right now, arguing about Walter Hardy and the quest for eternal youth, about how gay men have taken to imitating the boys who tortured them in high school.”

Michael Cunningham, The Hours

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“Since moving to New York I’ve learned what the word ‘geisha’ really means to most Westerners. From time to time at elegant parties, I’ve been introduced to some young woman or other in a splendid dress and jewelry. When she learns I was once a geisha in Kyoto, she forms her mouth into a sort of smile, although the corners don’t turn up quite as they should. She has no idea what to say! And then the burden of conversation falls to the man or woman who has introduced us–because I’ve never really learned much English, even after all these years. Of course, by this time there’s little point in even trying, because this woman is thinking, ‘My goodness… I’m talking with a prostitute…’ A moment later she’s rescued by her escort, a wealthy man a good thirty or forty years older than she is. Well, I often find myself wondering why she can’t sense how much we really have in common. She is a kept woman, you see, and in my day, so was I.”

Arthur Golden, Memoirs of a Geisha 

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“You have to look! […] That’s another one of our rules. Closing your eyes isn’t going to change anything. Nothing’s going to disappear just because you can’t see what’s going on. In fact, things will be even worse the next time you open your eyes. That’s the kind of world we live in, Mr. Nakata. Keep your eyes wide open. Only a coward closes his eyes. Closing your eyes and plugging up your ears won’t make time stand still.”

Haruki Murakami, Kafka on the Shore

Kafka on the Shore  by Haruki Murakami

海辺のカフカ

Read: October 2017

Rating: Stepping into a captivating impressionist painting, only to realize the painting has actually stepped into you. Then, trying to figure what that actually means, but being too distracted by how beautiful the painting is.